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Notes, Chapter 7
7.1.1: Brown, 2000; Dissanayake, 2000; Groh & Gazzaniga, 2003.
7.1.2: Storr, 1992; Jourdain, 1997; Merker, 2000; Dissanayake, 2000; Phillips-Silver & Trainor, 2005.
7.2.1: Newman, 1961; Pinker, 1994; Richman, 2000; Tulving & Craik, 2000; Snyder, 2001.
7.2.2: Miller, 1956; Pinker, 1997; Gazzaniga, 1998; Engle, 1999; Simons & Chabris, 1999; Tulving & Craik, 2000; Snyder, 2001; Simons, Chabris, Schnur et al., 2002; Levin, Simons, Angelone et al., 2002; Drake & Bertrand, 2003; Johnson, 2004; Boutla, Supalla, Newport et al., 2004; Johnson, 2004; Staffod & Webb, 2005.
7.2.3: Miller, 1956; Pinker, 1997; Sloboda,1985; Tulving & Craik, 2000; Snyder, 2001.
7.2.4: Gazzaniga, 1988; Tulving & Craik, 2000; Snyder, 2001; Cohen, 2001; Pinker, 2002; Crick & Koch, 2002; LeDoux, 2002; Johnson, 2004.
7.2.6: Snyder, 2001.
7.3.1: Merker, 2000; Miller, 2000.
7.3.2: Merker, 2000; Miller, 2000; Janata and Grafton, 2003; Patel, 2003.
7.3.3: Peretz & Coltheart, 2003.
7.3.4: Miller, 2000; Pinker, 2002; Stafford & Webb, 2005.
7.5.1: Piston, 1962; Harris, 1991; Peretz & Coltheart, 2003.
7.6.1: Janata and Grafton, 2003.
7.6.4: Simonton, 2001.
7.7.2: Merker, 2000.
7.7.3: North, Shilcock,& Hargreaves, 2003.
7.7.4: Button, Behm, & Holmes, 2004.
7.7.5: Brown, 2000; Bunt & Pavlicevic, 2001; Sloboda & Juslin, 2001; Gabrielsson & Lindstrom, 2001; Trainor & Schmidt, 2003.
7.8.1: Altenmuller, 2003.
7.8.7: Bunt & Pavlicevic, 2001; Gabrielsson & Lindstrom, 2001; Juslin, 2001.
7.9.2: “In fifteen seconds...”: quoted in Bailey, 1992, p. 141.
“The petrifying effect of European classical music...”, Bailey, 1992, p. 19.
7.10.1: Trehub, 2000.
7.10.2: Wundt, 1904; Berlyne, 1971; Davies, 1978; Simonton, 2001.