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Common Chord Progressions: Problems, Part 4—Too Many Unorganized Progressions
How does this one get lost (Figure 120)?
- An eight-chord progression that uses all seven harmonic degrees ... pretty ambitious ... too ambitious
- Lots of fifths-up progressions, including tonic-to-dominant progressions on both major and minor sides—but no dominant-to-tonic
- Tonality must be out there somewhere, but not in this progression