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6.13.5 “Dear Landlord”: How the Chord Progression Works
“Dear Landlord,” one of Dylan’s most musically intriguing tunes, begins innocently enough in the key of C Major.
- Within a few bars, the progression modulates to the key of A minor, its relative minor.
- The progression then uses the chord F major to pivot to the key of D minor.
- Then the tonal centre moves on to the key of F major, the relative major of D minor.
- Finally, it moves back to the key of C major via a nifty turnaround: Dm – F – G – C (Figure 108).
Dylan accomplishes this tour of four keys in just 60 seconds, the time it takes to get through one 20-bar stanza. The cycle then repeats two more times.
If you’re unfamiliar with “Dear Landlord,” it would be worth your while to listen to this track a few dozen times. Get a sense of how a gifted songwriter at the height of his powers brilliantly uses modulation. It’s on the album John Wesley Harding.