References, Letter D

Dallin, L. 1964. Techniques of twentieth century composition. 2nd ed. Dubuque, IA: William C. Brown Company.

Damasio, A. R. 1994. Descartes' error: Emotion, reason, and the human brain. New York: Putnam.

Damasio, A. R. 2002. How the brain creates the mind. Scientific American, 12, 4-9.

Darwin, C. 1859/1991. On the origin of species. Buffalo: Prometheus.

Darwin, C. 1872/1998. The expression of the emotions in man and animals. 3rd ed. New York: Oxford University Press.

Davie, C. T. 1966. Musical structure and design. New York: Dover Publications.

Davies, J. B. 1978. The psychology of music. Stanford: Stanford University Press.

Davis, C., & Wellwerth, J. 1975. Clive: Inside the record business. New York: William Morrow.

Dawkins, R. 1976/1989. The selfish gene. New edition. New York: Oxford University Press.

Dawkins, R. 1986. The blind watchmaker: Why the evidence of evolution reveals a universe without design. New York: Norton.

Dawkins, R. 1995. River out of Eden: A Darwinian view of life. New York: Basic Books.

Dawkins, R. 2004. The ancestor's tale: A pilgrimage to the dawn of life. London: Weidenfeld & Nicolson.

Deaner, R. O., Khera, A. V., & Platt, M. L. 2005. Monkeys pay per view: Adaptive valuation of social images by rhesus macaques. Current Biology, 15, 543-548.

De Bourdeaudhuij, I., Crombez, G., Deforche, B., Vinaimont, F., Debode, P., & Bouckaert, J. 2002. Effects of distraction on treadmill running time in severely obese children and adolescents. International Journal of Obesity and Related Metabolic Disorders, 26, 1023-1029.

De Waal, F. 2005. Our inner ape: A leading primatologist explains why we are who we are. New York: Riverhead Books.

Delamont, G. 1965. Modern arranging technique. New York: Kendor Music.

Denizet-Lewis, B. 2004. Friends, friends with benefits and the benefits of the local mall. New York Times Magazine, May 30.

Dennett, D. C. 1991. Consciousness explained. Boston: Little Brown.

Dennett, D. C. 1995. Darwin's dangerous idea: Evolution and the meanings of life. New York: Simon & Schuster.

Deutsch, D. 1997. The fabric of reality: The science of parallel universes and its implications. New York: Penguin.

Deutsch, D. (Ed.) 1999. The psychology of music. 2nd ed. San Diego: Academic Press.

Diagram Group 1976. Musical instruments of the world. New York: Facts on File.

Diamond, J. 1999. Guns, germs, and steel: The fates of human societies. New York: Norton.

DiLello, R. 1983. The longest cocktail party. Ann Arbor: Pierian Press.

Dissanayake, E. 1988. What is art for? Seattle: University of Washington Press.

Dissanayake, E. 1990. Music as a human behavior: An hypothesis of evolutionary origin and function. Paper presented at the annual meeting of the Human Behavior and Evolution Society, August 16.

Dissanayake, E. 1992. Homo aestheticus: Where art comes from and why. New York: Free Press.

Dissanayake, E. 2000. Antecedents of the temporal arts in early mother-infant interaction. In Wallin, Merker, & Brown, 2000.

Donovan, P. 2000. Zubrow analyses "music of the spears": Tunes tapped out on stone tools suggest more social Paleolithic man than earlier assumed. University of Buffalo Reporter, November 30.

Drake, C., & Bertrand, D. 2003. The quest for universals in temporal processing in music. In Peretz & Zatorre, 2003.

Dukes, R. L., Bisel, T. M., Borega, K. N., Lobato, E. A., & Owens, M. D. 2003. Expressions of love, sex, and hurt in popular songs: A content analysis of all-time greatest hits. Social Science Journal, 40, 643-650.

Dunbar, R. I. M. 1997. Grooming, gossip, and the evolution of language. Cambridge, Mass: Harvard University Press.

Dunbar, R. I. M. 1998. The social brain hypothesis. Evolutionary Anthropology, 6, 178-190.

Dylan, B. 2004. Chronicles, Vol. 1. New York: Simon & Schuster.