References, Letter W

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Walker, R. 2005. Color-coding: How an unexpected name for a shade of blush creates a pleasurable sensation in a buyer's mind. New York Times Magazine, July 31.

Wallin, N. L., Merker, B., & Brown, S. (Eds.) 2000. The origins of music. Cambridge, Mass.: MIT Press.

Walton, P. D., & Walton, L. D. 2002. Beginning reading by teaching in rime analogy: Effects on phonological skills, letter-sound knowledge, working memory, and word reading strategies. Scientific Studies of Reading, 6, 79-115.

Wang, S. M., Kulkarni, L., & Kain, Z. N. 2002. Music and preoperative anxiety: A randomized, controlled study. Anesthesia and Analgesia, 94, 1489-1494.

Warburton, A. O. 1960. Melody writing and analysis. 2nd ed. Burnt Mill, Essex: Longman.

Ware, E. E., Radtke, R. C., & Berner, E. 1970. The effect of context on semantic differential ratings. Canadian Journal of Behavioural Science, 2, 246-252.

Watson, J. B. 1924. Behaviorism. Chicago: University of Chicago Press.

Watson, J. D., Roberts, J. W., Hopkins, N. H., Steitz, J. A., & Weiner, A. M. 1987. Molecular Biology of the Gene. 4th Ed. Menlo Park: Benjamin/Cummings.

Waugh, L. R. 1970. The melody of language. Baltimore: University Park Press.

Weaver, R. M. 1974. A rhetoric and composition handbook. New York: William Morrow.

Webb, J. 1998. Tunesmith: Inside the art of songwriting. New York: Hyperion.

Weingarten, M. 2000. Station to station: The history of rock 'n' roll on television. New York: Pocket Books.

Weiss, P., & Taruskin, R. 1984. Music in the western world: A history in documents. New York: Schirmer.

Westen, D. 1999. Psychodynamic theory and technique in relation to research on cognition and emotion: mutual implications. In T. Dalgleish & M. Power (Eds.), Handbook of cognition and emotion. New York: Wiley.

Whaling, C. 2000. What's behind a song? The neural basis of song learning in birds. In Wallin, Merker, & Brown, 2000.

Whitburn, J. 1999. Joel Whitburn presents a century of pop music. Menomonee, Wis.: Record Research.

White, J. D. 1984. The analysis of music. 2nd ed. Metuchen, NJ: Scarecrow Press.

White, M. 1985. "You must remember this...": Popular songwriters 1900 - 1980. New York: Charles Scribner's Sons.

White, P. 2000. Basic mixing techniques. London: Sanctuary Publishing.

White, P. 2002. Basic sampling. London: Sanctuary Publishing.

White, P. 2003. Basic mastering. London: Sanctuary Publishing.

Wilder, A. 1972. American popular song: The great innovators, 1900 - 1950. New York: Oxford University Press.

Willan, P. 2000. Oldest cave paintings ever found light up human history. The Guardian. October 19.

Williams, M. 1967. Jazz masters of New Orleans. New York: Macmillan.

Williams, R. 2003. The non-designer's design book: Design and typographic principles for the visual novice. 2nd ed. Berkeley, Calif.: Peachpit Press.

Williams, R. M. 1979. Sing a sad song: The life of Hank Williams. Garden City, N. Y.: Doubleday.

Wimble, D. (Ed.) 2003. The indie Bible. 5th ed. New York: Music Sales Corporation.

Wilson, E. O. 1975. Sociobiology: The new synthesis. Cambridge, Mass.: Harvard University Press.

Wilson, E. O. 1978. On human nature. Cambridge, Mass.: Harvard University Press.

Wilson, E. O. 1992. The diversity of life. Cambridge, Mass.: Belknap/Harvard University Press.

Wilson, M., & Daly, M. 2003. Do pretty women inspire men to discount the future? Journal of the Royal Society of London Biology Letters, Suppl. 4, S177-S179

Wolf, F. A. 1990. Parallel universes. New York: Simon & Schuster.

Woolcock, N. 2003. Bagpipes give you more than earache. The Telegraph, August 25.

Wright, R. 2004. A short history of progress. Toronto: CBC.

Wundt, W. 1904. Principles of physiological psychology. Trans. from the 5th German ed. (1902) by Edward Bradford Titchener. London: Swan Sonnenschein

Wyatt, K., & Schroeder, C. 1998. Harmony & theory: A comprehensive source for all musicians. Milwaukee: Hal Leonard.